Tom and Jerry trash duvet covers, smash up lounge pianos, and draw the unwanted attention of the classic bulldog antagonist Spike.
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Maybe the one element that keeps this movie from being an entirely wasted effort is that amidst the bizarre machinations of luxury hotel event managing, there’s some room for good old fashioned, one-on-one comic mayhem. This all happens without giving Tom or Jerry a speaking voice, as 1993’s “Tom and Jerry: The Movie” did.ĭespite this confounding packaging, “Tom and Jerry” isn’t completely devoid of its animation history DNA. Not only are Kayla and company unphased by the presence of animated animals, they eventually join forces in a “Toontown but without the prejudice and rigid social hierarchy” kind of way. 'Loki': Everything You Need to Know About Marvel's Disney+ Seriesīefore long, the runup to Ben and Preeta’s wedding collides headlong with the latest round of destructive Tom-Jerry bouts, endangering the psychological well-being of everyone involved and giving Kayla a growing, disproportionate list of responsibilities.
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Terence quickly cools on Kayla for the same reason that Tom and Jerry are constantly feuding: just because. Dubros (Rob Delaney) hires her to the temp staff, under the supervision (and objections) of events manager Terence (Michael Peña). Going off absolutely nothing other than a pilfered resume and thirty seconds of small talk, hotel manager Mr. The film does a decent job of mixing CGI techniques with a pen-and-ink feel, but the characters feel even less integrated into live action than the ’toons of Who Framed Roger Rabbit 33 years ago.A significant portion of the movie revolves around Kayla ( Chloe Grace Moretz), a character who successfully swindles her way into a job at a swanky New York hotel mere days before the wedding of Ben (Colin Jost) and Preeta (Pallavi Sharda), the social event of the season. It’s a big shift from the animation, which was resolutely from the point of view of the animals, the human world hinted at by showing the characters from the knee down.
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The big idea of the film is that while it takes place in the real world, every animal, from pigeons (who bizarrely sing A Tribe Called Quest’s ’90s hit ‘Can I Kick It?’ over the front credits) to goldfish to elephants, is animated and most can talk (Tom and Jerry don’t, the law of the characters). What follows is a slew of standard cat-and-mouse chases and carnage - will the hotel’s centre-piece glass atrium get smashed? - mixed in with dull wedding-movie scenarios (a ring gets lost, doubts about an extravagant celebration are expressed) before it all inevitably builds to the ceremony where all bets are off as to what happens to the huge cake baked by wannabe Michelin-star chef Ken Jeong. It’s at this point that homeless mouse Jerry takes up residence in the hotel, leading Kayla to convince hotel manager Mr Dubros (Rob Delaney) and his minion Terence (Michael Peña) to hire piano-playing cat Tom to catch the rodent before the big day. The dull-as-dishwater plot sees unemployed millennial Kayla (Chloë Grace Moretz) con her way into a job at posh Manhattan hotel The Royal Gate, chiefly to help out with the high-society wedding of Preeta (Bollywood star Pallavi Sharda) and Ben (Colin Jost), the biggest event in the hotel’s history.